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Music for a Great Space to feature all-female concert lineup

Music for a Great Space to feature all-female concert lineup

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Each year, the Music for a Great Space series brings together chamber musicians from across the country and right here in the Triad for concerts throughout Greensboro.

This year, for the first time, the series features an all-female lineup of performers.

According to Music for a Great Space executive director Rebecca Willie, the program’s artistic director, Lucy Ingram, recognized a need to spotlight female musicians.

“She noticed over the years there were a lot of really talented female artists who maybe didn’t get as much attention in certain areas, especially jazz or female composers,” Willie says. “So why not have a season where we celebrate the talent and artistry of female performers?”

This year’s lineup includes Sweet Potato Pie (bluegrass), Faythe Freese (organ), Trio 180 (piano), Nicole Keller (organ), Christina Dahl (piano), Women’s Woodwind

Ensemble and She-e Wu (percussion).

For the musicians, the series is a chance not only to showcase their talents, but to show younger generations that classical music isn’t just for the guys.

“I can only speak for myself, but as an undergraduate student, I could only name one role model who was a woman clarinet professor at a major university,” says Kelly Burke, a clarinetist in the Women’s Woodwind Ensemble and music faculty at UNC-Greensboro. “Her success made me believe that I could do that, too. She also had great success as a chamber music performer. Woman role models in classical music were not so easy to find until fairly recently.”

In the beginning

The Music for a Great Space series got its start nearly three decades ago with one very distinctive instrument — the Fisk organ at Christ United Methodist Church. The Fisk company builds scale models of the venues for their organs to ensure the instruments function aesthetically and acoustically with their surroundings.

“When they were installing that organ in the church, the Fisk people came down to oversee the installation said, ‘This is a really special instrument,’” Willie says.

From those roots, the series has expanded to other spaces — Greensboro College and Van Dyke Performance Space this year — but Christ United Methodist remains the main venue, and organ concerts are an integral part of the series. Willie says the plan is to continue expansion to make the music accessible to a wider audience.

“We want to find places that allow us to access different parts of the community so we’re not just staying in the downtown area,” she says. “Typical for many cities, a lot of the art stuff happens in a very small area, so it’s important for us to try to bring it out as much as we can to the community.”

Educational outreach

That interaction with the community goes far beyond concerts. Each season, musicians from the series participate in a complementary educational program, visiting local schools to introduce children to chamber music.

During the sessions, students can ask questions, learn about the instruments and watch the musicians play up close. The sessions are held before each concert, and participating students are given free passes for themselves and their parents to attend the show.

“Our goal is to extend that relationship with the artist and give them a more interactive experience at the concert,” Willie says. “We’re all musicians, and we’ve seen the cutbacks in the schools in terms of arts and music, and we want to make sure those options are available to students of Guilford County.”

For the artists, the educational outreach affords them the opportunity to share their passion with young people unfamiliar with this style of music.

“We all feel it is important to serve as role models in the community,” Burke says. “This particular ensemble instrumentation is not a standard one. Rather, it reflects a particular group of women who wanted to perform together. Making music is both our profession and a strong social opportunity. We had to arrange/adapt all of the music for this particular group.”

Musical freedom

Because of the small ensemble size (or solo performances), the musicians who play chamber music enjoy a level of artistic freedom that their symphony and orchestra peers simply don’t have.

“Chamber music is such an incredibly special art form for the people who are playing it because they have so much artistic control over the product they’re presenting,” Willie says. “And you get to be so involved, but you also get to collaborate with other people, which is amazing.”

That freedom plays into the spirit of this year’s female-only lineup, as these women are in complete control of what and how they play, building a creative, collaborative experience.

“We are collectively responsible for artistic decisions, instead of having a conductor ‘tell’ you what to do,” Burke says. “Chamber musicians have to know everyone else’s parts as well as their own to be able to fit into the collective sound and/or gesture. One of the more exciting experiences is the spontaneous musical events that happen in a performance. In a great group like this, where we are all attuned to each other, we just do it.”

That enthusiasm is contagious, and in an intimate concert setting such as the Music for a Great Space series, it easily spreads to the crowd. Willie says that’s what makes this series special—that level of interactivity between performer and audience.

“For an audience member to be a part of that music that’s so exciting and interesting to the performer, that transfers to the audience because they feel that passion of the performer.”


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