The wind is unforgiving as it whips pass the brawling men atop a speeding train, moments before entering an approaching tunnel. Their epic leaps from various compartment cars and slow motion combat would be cinematically suspenseful if weren’t flat-out hilarious.
The train is comprised of two large luggage chests on a considerably sparse stage, and the actors feverishly shaking the backs of their costumes cleverly create the illusion of being wind-blown. Therein lies the comedic brilliance of Triad Stage’s nonstop laugh production of “The 39 Steps.”
Adapted from the John Buchan novel and Alfred Hitchcock’s 1935 movie classic of the same name, playwright Patrick Barlow parodies film noir thrillers with this heightened satirical melodrama. True to form, and in many ways an homage to Hitchcock’s distinct style, “The 39 Steps” is packed with dramatic plot twists, seductively mysterious femme fatales and innovative low-budget props.
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The plot — mostly unaltered from the film — chronicles the dashing Richard Hannay, a Canadian bachelor residing in London, as he is swept into a world of espionage and murder. Falsely accused of a crime he did not commit, Hannay must go on the run to clear his name and prevent treason that threatens Britain’s security. The experience is filled with numerous over-the-top characters and cumbersome situations — hence the train fight.
Brian Lee Huynh, as Hannay, is handsomely captivating in his depiction of the protagonist. His comedic timing, pretentiously enunciated diction and numerous facial expressions are delightful to watch. Huynh is able to execute the abundantly physical role with unquestionable ease and precision.
Laura Woodward is nothing short of exquisite in her portrayals of Annabella Schmidt, Pamela and Margaret. Clearly a quite competent actor, Woodward shines with her ever-evolving dialects and ability to seize every opportunity to milk a laugh. It is on Woodward that the exceptionally well-done costuming of Melissa Trn really standout.
However much of the weight of the production’s success falls upon the shoulders of Sal Cacciato and Andy Paterson as Clown 1 and Clown 2. These masters of character acting depict an uncountable number of characters with mere second-quick changes and unfathomable levels of energy. The running gag of their clownery never once gets old and is reason enough to see the production.
Director Jen Wineman brings a tightly executed piece of hilarity to Triad Stage. When a director’s clear vision is coupled with a creative team as capable as Timothy R. Mackabee (scenic design), Jesse Belsky (lighting design), Gabriel Clausen (sound design), and then supported by such a spectacular cast, it is very difficult not to have magic on the stage.
If Triad Stage’s “The 39 Steps” is any indication of what the company has in store for audiences this season, then the triad must brace itself for brilliance.
Contact Brandon Jones at brandoncjones1@gmail.com.
This News & Record arts coverage is supported by contributions to ArtsGreensboro’s Arts & Theatre Media Fund.
